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Here Come the Bridal Fashions

In this Wednesday, Oct. 5, 2016 photo, the Marchesa bridal collection is modeled during bridal fashion week in New York. (AP Photo/Mary Altaffer)

NEW YORK — Here comes the … march of the wedding gowns for Bridal Fashion Week.

From boho chic to traditional ball gowns, models dressed as smiling brides took Manhattan this month for a trade show of their very own following the fall cycle of womenswear runway around the globe.

Some highlights:

MARCHESA

“Bridal week is definitely happy,” said Keren Craig, who comprises half the brand’s design duo with Georgina Chapman. “It’s all about love.”

The two put their brides on a white platform, letting natural light from huge windows drench their romantic off-the-shoulder gowns in fit-and-flare silhouettes, among other shapes adorned with floral embroidery, and Chantilly lace underlays in subtle blush and nude tones.

“What we do see now is the bride is going more in the direction of wanting plunging necks, a little more sheerness, an easier dress,” added Chapman in a joint interview with Craig. “Not just necessarily the traditional big ball gown.”

Nowadays, Craig added, a bride often searches out more flexibility for her big day, such as a detachable cape they put on a high-low skirt that lent a modern touch.

YOLANCRIS

The designers behind this Eurocentric brand are sisters from Barcelona, Yolanda and Cristina Perez. And this time around, they had their brides draped in gold, with a motif of spikes of wheat wending through the details.

It was their haute couture Studio Collection inspired by the Victorian Age and the work of 19th century masters: Van Dyck, Rubens, El Greco. The designers carried the artists’ heroines and dreamers into rich laces, organza, embroidered tulle and hand beading done in florals.

Many of the gowns were show pieces with huge bulges in places few brides would care to emphasize, but others were beautifully crafted in lushly laced wearable column silhouettes.

Two had unusual brocade and beaded backs. A third in gold had heavy Victorian shoulders atop long sleeves.

“The presence of the wheat is so important. It’s the line that connects the collection,” Yolanda explained in a joint interview. “The gold is a new color for a bride.”

Wheat, they said, symbolizes growth and fertility.

MONIQUE LHUILLIER

It’s a big year for Lhuillier: Her 20th year in the fashion industry, in fact, and for bridal she took a look back through her archives in search of where she’s been and where she wants to go.

And her latest bride? Well, she’s a breathless, excited ingenue with tousled hair who could practically wear her wedding gown to bed.

Lhuillier deconstructed gowns into sheer, embellished negligee styles with layers of tulle and delicate lace in come-hither shades of white, cream and blush. Some of her gowns came in deeper shades of coffee, gold and fawn.

Evoking her past, Lhuillier included dainty little ribbon belts.

“I did a lot of soft lace dresses from the very beginning and newer version of that for today,” she said. “It’s all about sophistication and real romance.”

BADGLEY MISCHKA

Caftans for your wedding? Badgley Mischka asks, why not?

They created three in their latest bridal collection and insist they’re just as good for walking down the aisle as they are for the reception or other wedding weekend events.

All three are shades of white with embellished V-necks. They’re clearly not for everyone but would fit into just the right destination or beachy wedding. And they could also be easily reused.

Caftans are a big part of the couture business for Mark Badgley and James Mischka.

In the lower priced line, the Belle line, the company has introduced more bridal separates that — like the caftans — could be incorporated into a regular wardrobe, including an elegant pair of pleated palazzo pants paired in the showroom with a sleeveless beaded top that had a touch of fluttery feathers at the bottom.

The top would be perfect with a pair of jeans after the wedding.

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